Portfolio

If you would like to make an enquiry, or commission your own bespoke artwork, please get in touch.

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POUR PAINTINGS

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LAMP PAINTINGS

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PAINTINGS PAINTING PAINTINGS

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BULGE PAINTINGS

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SCULPTURE AND INSTALLATION

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Pour Paintings

By pouring and manipulating paint on tilting structures, a dialogue between art and science is created as the paint ebbs and flows in a single linear stroke under the force of gravity. Through this method of painting, the artist is removed from the gesture and emotion of painting, highlighting instead the complexity of colour and the intricacies in the materials. 

BATTERSEA RAILINGS, 2018
Acrylic on canvas
100cm x 100cm x 4cm

SUDOKU NO. 1, 2018
Household paint on canvas
90cm x 90cm x 1cm

 

COLOUR RUN, 2018
Acrylic on canvas
100cm x 100cm x 4cm

FALLEN LEAVES, 2018
Acrylic on canvas
50cm x 50cm x 4cm

AUTUMN LEAVES
Acrylic on canvas
50cm x 50cm x 4cm

KEW GARDENS, 2018
Acrylic on canvas
40cm x 40cm x 4cm

MONTE CARLO, 2017
Acrylic on canvas
100cm x 100cm x 1cm

 

THE STARTING LINE, 2018
Acrylic on canvas
130cm x 90cm

 

JARDIN DES PLANTES MONTPELLIER, 2017
Acrylic on canvas
150cm x 110cm x 4cm

 

EUCLID’S RAILINGS, 2017
Household paint on canvas
150cm x 110cm x 4cm

5x5, 2016
Household paint on canvas
210cm x 70cm x 4cm

Paintings Painting Paintings

 

Canvases are hung on sculptural wooden frames, the paint poured and tilted at angles onto further canvases to create pairings - one that is carefully considered by the artist as it tilts, the other, static on the floor, waits to collect the waste materials.

These unconventional painting tools allow gravity to paint sequences of canvases, challenging the idea of authorship. The final work bares no evidence of the gesture and emotion of the artist’s hand, instead the intricacies of the materials and the complexity of colour are revealed.

 

SERIES TWO, 2016
Acrylic on canvas
70cm x 210cm x 4cm

 

SERIES ONE, 2016
Acrylic on canvas
70cm x 210cm x 4cm

RED STRIPED LACEWING, 2018
Acrylic on canvas
60cm x 180cm x 4cm

HERA, 2018
Acrylic on canvas in white wooden tray frames
50cm x 150cm x 4cm

55 POURS AND SPINS, 2016
Household paint on canvas
100cm x 75cm x 4cm

Sculpture and installation

 

In this body of work the historical constructs of painting - colour, composition and form - are explored in three-dimensions. Often a site-specific response, architecture, interior design and geometry are used as props to explore colour. Unlike on the flat plane of a canvas, layers of colour are explored from multiple viewpoints, fragmenting and reforming as the viewer and environment shift position.
 

ANATOMY OF COLOUR, 2018

A commission for the Broomhill National Sculpture prize 2018.

Exterior gloss paint on timber
200cm x 200cm x 200cm

 
  ANATOMY OF COLOUR, 2018  A commission for the Broomhill National Sculpture prize 2018.  Exterior gloss paint on timber 200cm x 200cm x 200cm
 

ARTROOMS ROMA, 2018

Painting installation at Artrooms Roma in the Church Palace Hotel, Rome.

 
 

RUNNERS AND RISERS, 2017

An installation on the garden stairs at Westminster Gardens, London.

 
 
 

SALVAGE, 2016
A painting installation at the Safehouse exhibition space in Peckham, London.

Household paint on salvaged laths.

 
 

THE PAINTING PRESS, 2016

A five day site-specific installation and painting performance in the Cookhouse Gallery, London.

Lamp Paintings

 

Chaos and order sit side by side as elements of chance are employed through carefully considered mathematical systems and unconventional painting tools. In these works lampshades are used as painting tools for the production of work.

MINI LAMP NO.1, 2018
Acrylic paint on canvas in white wooden tray frame
24cm x 24cm x 2cm

MINI LAMP NO.2, 2018
Acrylic paint on canvas in white wooden tray frame
24cm x 24cm x 2cm

DRAINED FULL OF COLOUR, 2018
Acrylic paint on canvas
100cm x 100cm x 3cm

UNTITLED NO.1 (LAMP), 2018
Acrylic paint on canvas
45cm x 45cm x 1cm

 

Bulge Paintings

 

By gaining an in-depth understanding of the chemical properties of paint, the rules of this material have been subverted to create paintings that are a collaboration between the artist’s desires and the unpredictable tendencies of her materials.

Rather than artificially aiming for permanence through painting, the fragile and impermanent nature of life is highlighted as the work has the ability to adapt and transform over time as it is moved from one position to another.

 

 

BULGE, 2016
Household paint on angled canvas
45cm x 45cm x 4cm

 

GALACTIC BULGE, 2017
Household paint on angled canvas
47cm x 45cm x 3cm

 

UNYIELDING COLOUR, 2016
Household paint on hinged canvas with elastic
90cm x 45cm x 25cm

 
  DESTRUCTION, 2016  Household paint on canvas  45cm x 45cm x 1cm

DESTRUCTION, 2016
Household paint on canvas
45cm x 45cm x 1cm

  CHROMOPHOBIA, 2016  Household paint on canvas 45cm x 45cm x 1cm

CHROMOPHOBIA, 2016
Household paint on canvas
45cm x 45cm x 1cm

  DESTRUCTION, 2016  Household paint on canvas  45cm x 45cm x 1cm

DESTRUCTION, 2016
Household paint on canvas
45cm x 45cm x 1cm